By Douglas V. Gibbs
Hollywood is doubling down on fake news, joining forces with Democrats to promote their false January 6 narrative through a new film titled “Social Reckoning.” The production stars Bradley Cooper as a D.C. police officer who confronts what the film portrays as violent MAGA supporters during the Capitol protest.
Imagine if a film honestly exposed the Deep State and revealed the truth about the Russian Collusion hoax. Imagine it documented how Democrats allegedly planned to seize power through election fraud in 2020, then diverted attention by framing Republicans as the party of insurrection and violence. Such a film would expose a strategy to stage a riot using MAGA imposters who would agitate genuine supporters into aggressive behavior for cameras. It would reveal the behind-closed-doors meetings and expose what would be portrayed as the greatest political attack ever launched against anyone who dared to stand against their quest for supremacy – in this case, Donald Trump and his supporters.
But Hollywood would never touch anything that might undermine their hard-left ideological allies’ lust for power and dictatorial control.
Instead, they’re backing Sean Penn’s “Social Reckoning” project and another January 6 film titled “J6” to be directed by Billy Ray – though the production on the latter is currently stalled. Ray previously directed “The Comey Rule,” a Showtime series that attempted to lend credibility to the Russia investigation narrative.
Propaganda remains the Democrats’ most effective weapon. The power of accusation matters when you can’t prove your case or when you manufacture reality through actors and performative activism. The socialist-communist Democrats are willing to spend millions on these projects, knowing that most conservatives lack the courage to stand against them or produce counter-narratives with reasonable success. Conservatives and Christians are systematically excluded and blackballed once Hollywood recognizes they don’t subscribe to the secular gods of power and collectivism.
The left pours millions into their projects while starving opposition content. Conservative films rarely get made, and when they do, streaming platforms either deny them distribution or bury them at the bottom of search results, making them discoverable only to those specifically seeking them.
Partisan left-wing films frequently flop, but the money keeps flowing because their funders are committed to spreading secular collectivism globally, and they have deep pockets and are willing to empty them for the cause.
This is a message war, and they no longer hide their intentions. The most effective resistance is to refuse viewing their propaganda while supporting truth-based alternatives wherever possible.
— Political Pistachio Conservative News and Commentary
